Illustrated by Quentin Blake
Photographs by Jan Baldwin
Recipes compiled by Josie Fison and Felicity Dahl
(Puffin Books, 1994)
This is part of a
week-long focus on feeding minds and stomachs, a celebration of children’s cookbooks
and picture books that fixate on food.
How is it that I only discovered this book this year?! As noted in the Introduction, the seed for Revolting Recipes germinated from a
conversation between Roald and his wife, Felicity. Weeks later, Roald produced a listing of the
delectable, wacky and disgusting food items mentioned in his various works for
children. After his death, Felicity
collaborated with others to create this fitting labor of love.
Just reading the Recipe List at the beginning is enough to
activate children’s imaginations and make parents fret over the inevitable mess
in the kitchen and the awkward tasting ceremony to follow. While there are some yummy sounding recipe
titles like Bunce’s Doughnuts (inspired by Fantastic
Mr. Fox) and Strawberry-Flavored Chocolate-Coated Fudge (Charlie and the Chocolate Factory), you
know kids are going to want to fixate on the creepilicious-sounding concoctions
from James and the Giant Peach:
Stink Bugs’
Eggs
Mosquitoes’
Toes and Wampfish Roes Most Delicately Fried
Hot Frogs Crispy
Wasp Stings on a Piece of Buttered Toast
Quite the menu! At
the end of the recipe for Snozzcumbers (The
BFG), there is a note to tempt readers:
Sophie said the original
Snozzcumber tasted of frogskin and rotten fish.
The BFG said it tasted like cockroaches and slime wanglers. What do you think? That is enough to bait mad chefs into
giving the recipe (basically tuna-stuffed cucumbers) a try. The grosser sounding the dish, the
better. Don’t think so? Take out a carton of sour milk, comment on
how badly it reeks and see if any kid can resist having a sniff for himself. Gross is irresistible.
To be honest, the actual recipes often sound worse than the
titles as they call for heaping amounts of butter and not very enticing
ingredients like white bread, celery, cod, corn syrup and chicken bouillon
cubes. Blech. That said, the recipe I would want to try
with a group of kids is for Lickable Wallpaper (Charlie and the Chocolate Factory).
You’ve got eight hours of wait time in the middle of the directions (“Is
it ready yet? How ‘bout now? What about now?”), but who wouldn’t want to feast
on edible wallpaper?
Dahl’s regular illustrator, Quentin Blake, helps strengthen
the visual connection between the classic novels and this collection. Still, I would have liked to have seen a
specific book quote referencing each recipe title or a short explanation
connecting recipe to novel. In doing so,
the young cooks would want to return to the original source of such Dahl-icious
creations as Candy-Coated Pencils for Sucking in Class and Wormy
Spaghetti. Anything that returns young
readers to the zany, imaginative world of Roald Dahl is worth celebrating.
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